Echo or background noise? Why noise removers can’t fix reverb (and what to do)

Background noise is a separate sound added to your voice; echo, or reverberation, is your own voice coming back from the room, so noise removers treat it as speech and leave it. The fix for echo is at the source: get closer to the microphone and record in a softer room.

Key takeaways

  • Listen to the pauses: noise that carries on between sentences is background noise; a tail that dies away after each word is echo.
  • Noise removers keep echo because it has the same pitch, frequencies and rhythm as the voice it comes from.
  • In our lab test, simulated room echo stayed after cleaning; with a fan added, the fan went and the voice still sounded distant.
  • Halving the distance to the microphone makes your voice about 6 dB stronger against the room’s reflections; soft furnishings absorb the rest.

Two different problems

Background noise is any sound that is not your voice and exists independently of it: a fan, air conditioning, hum, traffic, wind, keyboard clicks. It carries on whether you speak or not, with its own spectrum and rhythm.

Echo, in a room recording, means reverberation: your voice bouncing off the walls, floor, ceiling and windows, and reaching the microphone again, slightly later and softer, many times over. Strictly, an echo is one distinct repeat, like a shout across a valley; indoors, the reflections arrive so close together that they blur into a tail: the hollow, distant, “in a bathroom” sound. Its length is the reverberation time: how long the sound takes to fade by 60 dB once the voice stops.

On a phone or video call, “echo” usually means something else: hearing your own voice come back from the other person’s speaker, a fraction of a second late. That is acoustic echo, which calling apps cancel as the call happens. Once it is in a recording, it behaves like reverberation (it is a voice), so noise removal leaves it too.

Telling the two apart
ClueBackground noiseEcho
What it isA separate sound in the roomYour own voice, reflected by the room
In the pausesStill there: hiss, hum, a whoosh, trafficA tail that fades within a second or so
How the voice soundsClear, with something behind itDistant and hollow, as if in a bathroom
What fixes itNoise reductionDistance, a softer room, de-reverb

Why noise removers can’t fix reverb

A noise remover decides, many times a second and band by band, what is voice and what is noise, and turns the noise down. Reverberation fails every test it uses: it has the pitch of your voice, its frequencies and its rhythm, and it exists only because you speak. To an engine trained to keep speech, it is speech.

RNNoise, the engine in Noise Remover, computes one gain per frequency band every 10 ms. In each band and each slice, the direct voice and its reflections are mixed together, and turning the band down would remove both. Separating them takes a different kind of processing, built to model the room’s tail: de-reverberation.

Our lab test confirms it. In a simulated room with no noise, the reverberation was still there after cleaning. With a fan added on top, the fan went (a background-noise quality score rose from 1.2 to 3.9 out of 5), but the voice still sounded distant, and the overall score stayed low. How we measured.

How to tell which one you have

  1. Listen to the pauses

    Play a passage with a gap between two sentences, on headphones. A sound that carries on through the gap (a hiss, a hum, a whoosh, cars) is background noise. A tail that trails each word and fades out is echo.

  2. Listen to the word endings

    Echo smears the end of each word into the next and blurs hard consonants like t and k. Noise sits under the voice without changing its shape.

  3. Clap once in the room

    Before recording, clap your hands once and listen. A short, dry clap means a good room; a ringing or fluttering tail means the room will be on the recording.

  4. Clean it and compare

    Run the file through a noise remover and switch between the original and the cleaned version. If the noise goes but the voice still sounds far away, what is left is echo.

How to fix echo

Get closer to the microphone

Start here: nothing else does as much. Your voice reaches the microphone directly and by way of the room; the direct part grows about 6 dB each time you halve the distance, while the reverberation in the room stays roughly the same. At a hand span, 15 to 20 cm, the direct voice dominates; at arm’s length, the room does. Acousticians call the distance where the two are equally loud the critical distance: in a small furnished room it is often around half a metre, so a hand span keeps you well inside it, while in a tiled bathroom it can shrink to about a hand span.

Soften the room

Soft, uneven surfaces absorb reflections: curtains, a sofa, a bed, cushions, rugs, full bookshelves. For a session, hang a duvet or a heavy blanket behind you, or drape one around the phone. A walk-in closet full of clothes is one of the driest places in a home, and a parked car, engine off and away from traffic, is a small upholstered room that works well too.

Avoid bare rooms and bathrooms

Tiles, glass, concrete, bare walls and empty rooms reflect almost everything. Bathrooms, kitchens, stairwells, gyms and freshly emptied flats are poor places to record a voice. If you have to record there, get very close to the microphone and face the softest part of the room.

Use a clip-on microphone

A lavalier clipped to your collar sits a hand span from your mouth and stays there however you move, which keeps the direct voice well above the room’s tail. For interviews and lectures in hard rooms, it is the simplest fix. More setup advice in how to record clean audio with your phone.

When you have both

Most recordings made in a reverberant room carry some noise too. A noise remover still helps there: Noise Remover takes out the fan, the air conditioning or the traffic on top of the echo, which already makes the voice easier to follow. What stays is the room itself. Compare with the Original / Cleaned switch, and if the cleaned voice sounds thinner, lower the intensity.

For the echo itself, de-reverb tools exist in desktop audio software, as modules of audio editors or as plugins (see how the tools compare). They estimate the room’s tail and reduce it, and they do well on moderate echo; heavy reverberation rarely comes out clean. When the recording can be done again, re-recording closer, in a softer room, beats any repair.

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Frequently asked questions

Can a noise remover remove echo?

No. Echo, or reverberation, is your own voice reflected by the room, with the same pitch, frequencies and rhythm as the voice itself, so a noise remover treats it as speech and keeps it. It still removes the background noise on top of the echo. For the echo itself, use a de-reverb tool in desktop audio software, or record again closer to the microphone, in a softer room.

How do I know if my recording has echo or background noise?

Listen to the pauses on headphones. If a sound carries on between sentences (hiss, hum, a fan, traffic), it is background noise. If each word leaves a tail that fades out and the voice sounds distant or hollow, it is echo. Many recordings have both: a cleaning removes the noise and leaves the echo, which tells the two apart.

Why does my voice sound like it’s in a bathroom?

Because the room is reflecting your voice back to the microphone. Hard surfaces such as tiles, glass and bare walls bounce sound around, and at arm’s length from the phone the reflections are almost as loud as your voice. Move closer to the microphone, to about a hand span, and record in a room with soft furnishings, such as a bedroom or a closet full of clothes.

How can I reduce echo when recording at home?

Get closer to the microphone first: halving the distance makes your voice about 6 dB stronger against the reflections. Then choose the softest room (a bedroom, a closet full of clothes, a parked car) and add soft things around you, such as curtains, cushions or a duvet hung behind you. Avoid bathrooms, kitchens and empty rooms, and face into the room rather than a wall.

Does a lavalier microphone help with echo?

Yes, a lot. Clipped to your collar, a lavalier stays about a hand span from your mouth whatever you do, so your direct voice is much louder than the room’s reflections. That is why it is the usual microphone for interviews and lectures in hard rooms. A wired model sends full-quality sound to the phone, while most Bluetooth earbuds compress the voice.

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